deep dimension aka jeffrey hek and jimmy van de geijn

great collaboration with parris mitchell and nina kraviz! 4 track remix ep incl. radio slave mix!

stunning remixes !!

matt edwards launches stranger in the night with his first solo material since 2017. the rekids offshoot will release regular music by four artists, namely radio slave, king britt, anthony rother and fred p, who will each drop three eps over the next year. “with rekids being 100% focused on releasing music for dance floors i felt the need to create a new platform to explore a wider musical vision and invite some of my all-time electronic musical heroes to be a part of the series,” says matt edwards. both numbers near the 12-minute mark but each track portrays a different aesthetic. opening with precision drums and crystalline notes, ‘ground control’ makes a nod towards the hi-tech soul sound of detroit and drives forward using a sultry bassline, erratic chords and the occasional icy stab as an array of contrasting sounds operate in unison. on the flip, a syncopated rhythm lays the foundation for ‘last communication’ whilst a tantalising melody joins poignant synths, constructing a profound and hypnotising journey.

radio slave’s colossal ‘the revenge’ track now gets expert remix treatment from klasse wrecks label head luca lozano. luca has also released on the likes of optimo, sex tags ufo and unknown to the unknown and brings a raw, acid tinged sound to his beats. as a performer lozano’s versatile dj sets span between raw house, cosmic disco and dynamic breakbeat selections, which is why he’s become a regular at key clubs across europe and tasteful festivals like houghton. his ‘how bow dis’ remix’ is solid and features wild old school flavours in its huge drum breaks, a monstrous bassline and dark filtered vocals. it bangs for seven superbly heavy minutes with plenty of twists and turns along the way, and will transform any club or warehouse into a writhing, sweaty mass in seconds. on the flip, his ‘how bow dah’’ version is based around elastic drums and rumbling bass while a loose synth line darts about up top. some distant synths bring a sense of serenity to the madness and so despite the physical impact of this one, it also has real emotion to it.

jonah sharp & dj spun pair up as the loose control band to drop a punk-inspired single on rekids with remixes from label founder radio slave and shut boss ryan james ford. having released a large body of work as spacetime continuum (astralwerks) or alongside david moufang as reagenz (workshop), not to mention significant collaborations with the likes of terence mckenna, haruomi hosono and bill laswell, jonah sharp is unquestionably a highly respected producer. his seminal label reflective played an important role in the experimental ambient and techno scene during the ‘90s, whilst as a remixer he’s worked with music by nine inch nails, meat beat manifesto and matthew herbert. meanwhile, jason drummond has long been a commanding force within new yorks electronic music scene, such as running his prestigious warm up music series or his all night rong parties with regulars like dj harvey. hes also been djing and producing as dj spun for two decades, appearing on golf channel recordings as well as his own illustrious imprint rong music, which used to release music collaboratively with dfa. i dont understand sees a raw and uncompromising side to both artists as they layer a cacophony of murky bass, twisted melodies and mind-bending bleeps whilst drummonds turbulent vocals bellow throughout the mix. staying faithful to the original, radio slaves remix incorporates a heady rhythm with its rolling beat as screeching effects join a moody bassline. moving into techno territory, ryan james fords akihabara remix features rattling percussion and crystalline synths whilst his hope remix is built on an intricate drum sequence as soaring pads and echoing keys contrast with the originals piercing vocal.

running back welcomes kink on their new output

incl. markus suckut, parris mitchell & dj spider remixes! with the original release marking rekids return from hiatus, radio slave s the clone wars is now revisited with a trio of new interpretations from three distinctive talents on house & techno. on the a side, markus suckut moulds the original into the kind of no-nonsense rolling techno jam that has personified his releases for mosaic and figure. the b side enlists two us talents in the shape of parris mitchell and dj spider, with the former bringing a glitchy take on the jacking chicago house that mitchell perfected in his timeless productions for dance mania, and the latter shaping the track into crunchy weirdo techno that sits perfectly alongside his output for the trilogy tapes and his own ny-based plan b recordings.

originally released 18 months ago as a very limited 12 inch, hand stamped with custom made sleeve, radio slaves the clone wars, a record that already has a mythological status surrounding it, finally gets a long awaited release. complete with instrumental. accapella and tool, this techno rallying cry of a record is set to dominate the summer and wages war upon the clones. gaining support across the board from marcel dettmann and ben klock to derrick carter and spencer parker, get ready to go to war again this summer.

the one and only radio slave is back on rb. this time with retro futuristic breakbeat-house and -techno. children of the e comes in two mixes for different moods and some locked grooves for double copy wizardry. inspired by the london warehouses of yesterday, fuelled by evian bottles and made in a fog horn frenzy. or as the man himself puts it: matt edwards goes back to his roots with children of the e: just another white kid from catford. ultimately, were all children of the e(arth)!

thomas gandeys return is warmly welcomed by dance-floors worldwide. the artist formally known as cagedbaby has consistently made tough, deep, cutting techno and house based tracks, and his latest offering >the piano track< is no different. mr.gandey upped sticks to berlin last year and one can really hear the city that holds so much weight in the history of dance music, in this his latest production. like ronseal, the piano track does exactly what it says on the tin. its a track laced with piano hooks. its stylish, sophisticated and genre-busting, thomas gandey really has gone for the ultimate goose-bump rush! radio slave and thomas gandey have long admired each others work. they have a history of producing and djing together and like tom, matt (radio slave) also comes from brighton and now lives in berlin. after hearing the piano track he dived straight in to the remixing it. in actual fact radio slave remixed the track in a different key and tom re-played the piano making for a really special radio slave re-work

the machine aka radio slave with an fantastic fresh sounding triple vinyl album, full of tech house , minimal & eperimental techno!! another slamming masterpiece

incl the next hot radio slave remix

limited red vinyl !!! radio slave electrohouse rmx

2nd patz !! 3 massive tracks extracted from the radio slave mix cd !!!

the 1st part contains three massive sexy 80s and 80s / jackin house flavoured tracks extracted from the radio slave mix cd

gothic / electro ... gatefold 2lp (transparent rot) mit gefütterten innenhüllen, einleger und schutzhülle (500 einheiten erhältlich)

phat remixes !!

2023 repress

red-coloured vinyl - ltd to 300

2000 and one incl radio slave remix. decks tip!

radio slave vs audion - tip!

top notch remixes , tipp

esp institute welcomes low end activist on their label

incl radio slave remixes

great collab of radio slave and michael love michael

incl eric kupper, kirk degiorgio remix. huge tip!

clear transparent vinyl

radio slave presents >wild life<

remaster

decks tipp

prime time techno vinyl

incl mark broom remixs. tip!

2022 repress.

part 1 of 2, 2022 black vinyl repress, b stock, cover not mint - vinyl uneffected

incl radio slave remix, decks tipp

cover not mint - vinyl unaffected. here comes the big news.pioneering techno duo motor is about to release their fourth album on clr. after completing three massively successful and critically acclaimed techno albums, bryan black and oly grasset, who together form the act motor,have shifted gears and recorded a song-based vocal album by the name of >man made machine<.

phat uk hardcore / drum & bass compi

lp incl 16 page booklet

reissue, remastered, white vinyl

phat remixes

slamming remixes !! tipp